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（一）中文部分
梁启超《中国近三百年学术史》（上海，1941年版）
《方豪六十自定稿》（台北，1969）
郭绍虞、王文生编《中国历代文论选》第一～四册（上海，1979～1980）
杨清《现代西方心理学主要流派》（沈阳，1982）
韦勒克、沃伦《文学理论》（刘象愚、邢培明等中译本；北京，1984）
佛克马、易布思 《二十世纪文学理论》（林书武、陈圣生等中译本 ；北京，1988）
北京大学比较文学研究所编 《中国比较文学研究资料1919～1949》（北京，1989）
叶嘉莹《中国词学的现代观》（长沙，岳麓书社，1992年版）
特伦斯·霍克斯《论隐喻》（高丙中译；北京，1992）
黄霖《近代文学批评史》（上海，1993）
安田朴、谢和耐等《明清间入华耶稣会士和中西文化交流》（耿升译；成都，1993）
戴维·洛奇编《二十世纪文学评论》（中译本上、下册；上海，1993年版）
（二）外文部分
Barricelli, Jean-Pierre and Joseph Gibaldi, ed. Interrelations of Litrature. New York, 1982.
Birch, Cyril, ed. Studies in Chinese Literary Genres. Berkeley, 1974.
Brandauer, F. P. “The Hsi-Yu Pu as an Example of Myth-Making in Chinese Fiction.” in TR 6.1 (April, 1975.)——. T‘ung Yue. Boston, 1978.
Brooks, Cleanth. The Well Wrought Urn. New York, 1947.
Burke, Kenneth. The Philosophy of Literary Form. New York, 1957.
Carlitz, Katherine. The Rhetoric of Chin p’ing mei. Bloomington, 1986
Cheng, Francois. L‘ecriture poetique chinoise. Paris, 1977.
Culler, Jonathan. Structuralist Poetics. Ithaca, 1978.
Deeney, John J., ed. Chinese-Western Comparative Literature and Strategy. Hong Kong, 1980.
Eberhard, Wolfram. Studies in Chinese Folklore and Related Essays.Bloomington, 1970.
Eliot, T. S. Selected Essays. New York, 1932.
Fenollosa, E. F. The Chinese Written Character as a Medium for Poetry. London, 1936.
Frankel, Hans H. The Flowering Plum and the Palace Lady. New Haven and London, 1976.
Frazer, Ray. “The Origin of the Term‘Image’,” in ELH 27 (1960.)
Frye, Northrop. Anatomy of Criticism. Princeton, 1957.
Hawthorn, Jeremy. A Glossary of Contemporary Literary Theory. London, 1992.
Hsiao, Ching-song Gege. Semiotic Interpretation of Chinese Poetry:Tu Mu‘s Poetry as Example. Dissertation. Univ. of Arizona, 1985.
Hyman, S. E. The Armed Vision. New York, 1955.
Kao, Yu-kung and Mei Tsu-lin. “Syntax, Diction and Imagery in T’ang Poetry,” in HJAS 31 (1971.)——. “Meaning, Metaphor and Allusion in T‘ang Poetry,” in HJAS 38.2 (Dec. 1978.)
Liu, James J. Y. Chinese Theories of Literature. Chicago, 1975.——. The Art of Chinese Poetry. Chicago, 1962.——. Major Lyricists of the Northern Sung. Princeton, 1974.
McLeod, Russell. “The Baroque as a Period Concept in Chinese Literature.” in TR 7.2 (Oct.,1976.)
Makaryk, Irena R., ed. Encyclopedia of Contemporary Literary Theory. Toronto, 1993.
Nienhauser,William H. “A Structural Reading of the Chuan in the Wen-yuan ying-hua.” in JAS 36 (1977.)
Plaks, Andrew H., ed. Chinese Narrative. Princeton, 1977.——. Archetype and Allegory in the Dream of the Reb Chamber. Princeton, 1976.
Prusek, Jaroslav. Chinese History and Literature. Prague, 1970.
Richards, I. A. Principles of Literary Criticism. London, 1924.
Stevens, Bonnie Klomp and Steward, Larry L. A Guide to Literary Criticism and research. New York, 1987.
Todorov, Tzvetan. Genres in Discourse. Trans. by Catherine Porter.Cambridge, 1990.
Wang, C. H. The bell and the Drum. Berkeley and Los Angeles, 1974.——. From Ritual to Allegory. Hong Kong, 1988.
Wong, Tak-wai. “Toward Defining Chinese Baroque Poetry.” in TR 8.1 (April, 1977.)
Wong, Y. W. Essays on Chinese Literature: A comparative Approach. Singapore, 1988.
Yip, Wai-lim. Ezra Pound’s Cathay. Princeton, 1969.
Yu, Pauline. “The Poetics of Discontinuity: East-West Correspon-dences in Lyric Poetry,” in PMLA March 1979.——. The Reading of Imagery in the Chinese Poetic Tradition.Princeton, 1987.
Uitti, Karl D. Linguistics and Literary theory. New York, 1969.
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